Showing posts with label daphne ashbrook. Show all posts
Showing posts with label daphne ashbrook. Show all posts

Monday, September 9, 2013

No Companion Left Behind

Librarian in the TARDIS, Bonus Review #1

Title: Tales from the Vault
Written by: Jonathan Morris
Featuring: Captain Ruth Matheson, Warrant Officer Charlie Sato, Jo Grant, Zoe Heriot, Romana I, Steven Taylor
Adversary: Kali Carash
Originally Released: July 2011
Range and Number: Companion Chronicles 6.01

Synopsis (from TARDIS Wikia) -

Welcome to the Vault — jokingly known as "the Museum of Terrors" — a high security establishment where UNIT keeps all of its alien artefacts.

New recruit Warrant Officer Charlie Sato is given a guided tour by Captain Ruth Matheson, and the archive reveals some dark secrets. An army jacket, a painting, crystal and a wax cylinder all hold a grave significance, and their stories are told by the Doctor's companions: Steven Taylor, Zoe Heriot, Jo Grant and Romana...

My Review:
Okay, okay - I know I said I was done with Big Finish. Turns out the Doctor’s Rule #1 is also my Rule #1 (as far as springing surprises on my readership goes, anyway).

One thing that I've appreciated about this blogging project is the opportunity to revisit Doctors and companions that I've grown to love and highlight why I love them so much. Another thing I've enjoyed is the chance to take another look at other characters that I might not have given a fair chance to, or that I've never encountered before. I wanted to give as many companions their due as I could but because of the format I chose, I ended up ignoring a few companions that I wanted to talk about. And the fact that I was flying by the seat of my pants in the very beginning and hadn’t settled on a firm system - I kind of feel like I gave short shrift to the First and Second Doctors’ eras and those are stories that I want to revisit at a later date (just not quite sure how to do it yet).

Conversely, when I learned that Daphne Ashbrook and Yee Jee Tso had indeed done a Companion Chronicle for Big Finish - though not as Grace Holloway or Chang Lee - I was very intrigued. When I learned that Companion Chronicle also featured four companions from the Classic Series - several of whom I adore but didn't get to talk about in Librarian in the TARDIS - I resolved to review it and give them at least some kind of due.

What I didn't count on was how Grace and Lee would invade my headcanon when I listened to this. Even though Daphne and Yee Jee are playing different characters (as Big Finish does not have the rights to anything from the TV Movie, other than the Eighth Doctor), I kept hearing Grace and Lee in their performances, so I thought that maybe Ruth and Charlie were really Grace and Lee. In Grace’s case, I had no problem imagining that the American division of UNIT contacted a well-connected heart surgeon who’d been involved with a certain San Francisco Incident that, rumor had it, also involved the Doctor. Chang Lee would be a little more difficult to pin down - but I imagine that he finally got out of the gang scene and joined the military because he thought it would be a good way to improve his life. UNIT, being UNIT, eventually realizes that Lee was involved in the same incident that brought Grace to them and they approach Lee with an offer to join UNIT. Maybe Lee feels a twinge of regret at not having taken the Doctor up on his original offer to travel and this is the next best thing (who knows? The Doctor’s worked with UNIT before, maybe he’d come back again!) And the name changes? Witness protection. Standard operating procedure for UNIT (hell, they have the power to issue international gagging orders, so why not?)

Anyway, I know this is a cracked idea, but it works for me. No fanfic will come of it (trust me - you don’t want me writing fanfic), but it’s fun to play around with these theories. Besides, every time I watch the TV Movie, I keep wanting more and more of Grace's and Lee’s backstories and since I never got it out of official channels, I can make it up myself. It’s not any better or worse than what anyone else would come up with, is it?

The beauty behind “Tales from the Vault” is the idea of archiving stories for others to hear about and enjoy (or, in the case of UNIT Secret Ops, to hide and cover up). On one level, if you listen to enough Companion Chronicles, you start to feel like these companions are actually telling the stories to an audience - maybe the grandkids have come round for tea and another one of Gran’s or Gramps’s fantastic stories of traveling with the Doctor. Some of the Chronicles actually have the audience written into the story, such as Polly holding a press conference in “The Forbidden Time” or Liz writing to her mother in “The Last Post.” So, for UNIT to actually take parts of these stories and put them in archive is kind of a commentary on what the Companion Chronicles actually do.

Also - and this is a theme that creeps up in Doctor Who a lot, especially in New Who - how important stories are. How keenly you feel it when you know there are pieces missing (which Who fans are all too aware of). All of the stories in “Tales from the Vault” are just pieces of the story of Kali Carash - pieces that Ruth and Charlie work to put together to complete the whole (well, it’s more out of Charlie’s curiosity than anything).

Talking briefly about each companion in turn - I've already reviewed a Jo Grant story, but it’s so great to have a recording of her doing day-to-day UNIT stuff. Also, that Charlie calls her “a legend” is really neat too - then Ruth starts the tape. The joke that she would leave the tape recorder running while she made tea is absolutely charming. Jo’s part of the story - about a jacket that is possessed by an entity who takes over whoever touches it - is what gets the overarching narrative going, even though you don’t really think about it at the time.

The next companion to be featured is Romana I (played by Mary Tamm). Her part is actually from one of Captain Matheson’s first missions for UNIT Special Ops, so Ruth is heard interviewing Romana after an incident with a painting that shows the viewer the exact nature of their death, which in turn leads to the viewer going mad. The painting is held in the UNIT vault with instructions to only use it as a last resort - but at least it’s locked up in the vault. This Romana is very much a young, inexperienced Romana who hasn't quite found the appeal of Earth people and she has that haughty air about her that would be condescending in anyone else, but is positively glamorous in Mary Tamm’s portrayal of the character (Romana I has always been my favorite Romana and sometimes I wish there was more of her outside of the Key to Time season).

Zoe Heriot’s (played by Wendy Padbury) involvement in this story is quite unique. A copy of her mind has been transferred into a crystal that was used to wipe people’s memories (it didn't actually wipe Zoe’s memory - this is just a copy. But it’s an interesting choice by the producers of this audio, considering what ultimately happens to Zoe in the TV show). Using Zoe’s voice, the crystal tells the story of when the Second Doctor, Jamie and Zoe got involved with an investigation of bank robberies in which the victims never remembered how they were robbed. The Doctor figures out that the robbers were using the crystal, stops the robbers from using it anymore, and gives the crystal to UNIT for safekeeping. This crystal is a big reason why UNIT Special Ops can cover up a lot of big alien invasion-type events and Ruth even says so (which was a dangling plot thread that I didn't even realize was dangling to begin with).

As Ruth and Charlie are leaving the vault, an alarm goes off on a time capsule with a wax phonograph recorder. Turns out, the time capsule was set to open at this exact time and this recording is of Steven Taylor with a warning that only gets half communicated (apparently, wax doesn't last very long). Steven was the companion I was most excited to hear from in this audio. I felt like an absolute dope when I realized I hadn't reviewed any Steven stories when I covered the First Doctor’s era (to be fair, I could hardly pass up the chance to fangirl flail over “The Rocket Men” - which is another review that I want to revisit later. And “The Keys of Marinus” is just way too good. You know - I think I should do a First Doctor rewatch... hm... I'll add it to the schedule).  As wonderful as Ian and Barbara are and as much as I adore Vicki and Susan - Steven is the real heartbreaker of the Hartnell era. Partially because most of his stories are missing (sad face), but also because his character is just so compelling. It’s hard to pin down my favorite Steven story because watching him find his time-traveling feet in “The Time Meddler” is just lovely, his relationships with the Doctor, Katarina and Sara Kingdom in “The Dalek Master Plan” are so tragic, he’ll tear your heart out in “The Massacre,” and he’s so cute in “The Gunfighters” and “The Celestial Toymaker” (if anyone wants my top list of missing stories to find, my answer would be anything with Steven). Meeting Peter Purves at Gallifrey One last February didn't hurt my enthusiasm for the character, either.

So, yeah, Steven Taylor - love him to pieces. And his segment in this audio is great too (sort of wish he got more time in this story, but I can listen to his other Companion Chronicles because they’re amazing!)

What’s fun about this entire story is how each of the different companions’ stories seem to be disconnected, but end up working together to resolve the problem. I won’t go into the resolution because it’s a great ending to a wonderful story and it’d be nice for you, Dear Reader, to have some surprises going into this audio.

Other things I loved:
- “You should see the security kitchen.” Loved that nod to “The Ark”
- UNIT Special Ops was involved in covering up the events of the millennium in San Francisco (Even more fun that Ruth was the one talking about it).
- Wondering what that “giant” thing was that the Doctor fought with UNIT that neither Ruth nor Charlie told the whole story about.

To conclude - this may be part of the Companion Chronicles range, but the deviation from the usual formula is a special treat for the listener. This story makes it feel like the Doctor’s lives are interconnected, even though you typically only deal with one incarnation at a time (special multi-Doctor episodes excluded). And it’s cool to remember that the Doctor’s companions are always a part of his life, even though he may not actively refer to them all the time. I love getting multi-companion stories and I only hope we get to see more, not to mention more with Daphne Ashbrook and Yee Jee Tso. I think my third big wish - apart from finding a shedload of missing episodes and getting Paul McGann a spin-off Eighth Doctor miniseries is that the rights to Grace Holloway and Chang Lee could be resolved and we could see their stories played out in Big Finish or some other medium. But for now, I’ll take my headcanon of Ruth Matheson and Charlie Sato being pseudonyms for Grace and Lee and that they went to work for UNIT.

(Hey, if Ace can go to the Academy on Gallifrey to become a Time Lord, anything is possible).

***
Next time, on Librarian in the TARDIS -
Review 9.01 - The modern world started with “Rose” - but this is the episode that sold me on Doctor Who

Previously -
Review 8.03 - “What Are You Going To Do Next?” “I’m Going... Somewhere Without Copyright Infringement”

Monday, August 19, 2013

Mostly Dead is Slightly Alive

Librarian in the TARDIS, Review 8.01

Title: Doctor Who the Movie
Written By: Matthew Jacobs
Team TARDIS: Eighth Doctor, Grace Holloway
Adversary: The Master
Originally Aired: May 14, 1996
Number of Episodes: 1

Synopsis (from TARDIS Wikia) -
The Seventh Doctor is charged with transporting the remains of his fellow Time Lord, the Master, back to their home planet. But he is surprised to discover that his old enemy is not quite dead. The arrival of the Master not only costs the Doctor a life, but it spells near disaster for the Earth. Only the new Doctor can stop the Master and save the planet.

Side Note: 
Apologies for the lateness of this review. Real life last week was pretty awful for me and my fun geeky life had to take a backseat. But a certain little convention recharged my battery and I'm back and ready to rock and roll!

My Review:
Miracle Max: It just so happens that your friend here is only MOSTLY dead. There's a big difference between mostly dead and all dead. Mostly dead is slightly alive. With all dead, well, with all dead there's usually only one thing you can do.
Inigo Montoya: What's that?
Miracle Max: Go through his clothes and look for loose change.
  - from The Princess Bride (clip)

Well... if I want to find anything new to talk about with this one... I am so screwed. I don’t know how much discussion I can add to the myriad of reviews and analyses already out there. After all, if you want an Eighth Doctor TV story - this is pretty much it. But it doesn't mean that it’s generally well-liked, even though it has come up higher in fan esteem in recent years.

For a New Series baby like me, the TV Movie is more of a “bridge” between Classic Who and New Who. I suppose it’s considered part of Classic Who, so I can say that this was the second Classic Who story I ever saw (the first one was a version of “The Five Doctors” on YouTube that a fan had inserted New Series music cues into, as well as snippets of “The End of Time.” Not sure if that really counts, now that I think about it, but it was responsible for piquing my interest in Classic Who. Whatever gets you there, I guess). Most of the scuttlebutt I’d heard about the TV Movie prior to watching it was that it was utter and total crap, but Paul McGann was brilliant regardless, so I was a bit nervous going into it. Like my previous reviews of “Timelash” and “Silver Nemesis” - I came away from the TV Movie thinking “What were those fans smoking?”

Perhaps it’s nostalgia talking (all three years of nostalgia, in my case), but I think fondly of the TV Movie. I adore Grace Holloway - she’s a companion in the tradition of Liz Shaw and Barbara Wright and Sarah Jane Smith (on Tumblr, I actually said she's joined the "Dr. Liz Shaw Chapter of Awesome Female Scientist Companions"). Grace is an intelligent, accomplished woman with a career and a reputation within her field - and it’s clear how she got there. She has a determination and a tenacity that sets her apart from the other characters and it is her scientific curiosity that propels her into the events of this story, even though reason constantly tells her to run the other way. And she can do heart surgery in a beautifully flouncy opera gown - tell me that doesn't smack of badass.

I wish, I wish, I SO wish that Big Finish could get the rights to the character because it would be so fun to see Grace travel with the Eighth Doctor in a full-time capacity (even though she initially declined his offer to travel - well, so did Donna at first. Grace could TOTALLY come back and be a full-time companion! Big Finish could totally retcon this!) And Daphne Ashbrook is such an amazing actress and has such an enthusiasm for Doctor Who.  Daphne has been in Big Finish audios as other characters (there’s one where she flirts endlessly with the Eighth Doctor and another couple of Companion Chronicles where she plays a UNIT archivist along with Yee Jee Tso - also of the TV Movie. I've only listened to one of those Companion Chronicles - and there may-or-may-not be a review of that one forthcoming, so I’ll save that for later *tease*). I had the great pleasure of meeting Daphne at Gallifrey One and she has this immensely infectious personality that you just can't help but love.  I cannot say enough good things about her (other than go follow her Tumblr because it's a riot - you want to talk about "One Of Us"...  Unrelatedly - you should also follow Web Dalek as well)

Also - it almost goes without saying, but I'm going to say it anyway - Paul McGann is so damn amazing! He plays the Doctor with such a spark and a twinkle.  Much has been said of the "These Shoes!" scene and I get giggly and joyful over that - but even before that when he's trying to remember who he is and wandering around the hospital with the morgue tag still stuck on his toe and invading Grace's personal space is really neat.  The Doctor's wanderings in the hospital (and I'm talking about the part after the whole "Who Am I?" thing) puts me in mind of the Fifth Doctor's regeneration in "Castrovalva" when he's wandering aimlessly around the TARDIS and leaving his companions to figure out how to fly out of a Event One.  He not quite the Doctor you know, but the principle is the same.  He's "restarting" - as it were.  He's a blank slate and his personality is arranging itself.  Of course, this being Doctor Who, there has to be some kind of crisis going on where the Doctor is needed, but he isn't quite up for the task.

No, the TV Movie is not perfect. But looking back, it was the perfect TV story for the so-called "Wilderness Years" and even paved the way for the 2005 revival. At the end of the 1980s, the people who wanted to keep Doctor Who alive really didn't know how to do it anymore. They did the best they could with what they had (and with tons of opposition coming at them, I might add). Ultimately, it got canceled and the show became a bit of a joke, but it was out of the public consciousness, except for the dedicated cohort of fans going to conventions and putting out fanzines and writers producing novels and comics and (later) audios. So, when the opportunity to make the TV Movie came along, everyone wanted everything in this sucker - and they kind of got it.  I can't fault them, really.  This was probably seen as the last opportunity to bring Doctor Who back to TV, so they figured that they had to throw everything upon everything into the story, which rarely ends well. And it turned out a bit wobbly, though Paul McGann was a very good Doctor - so much so that BBC Books continued the novels range, but with a new Doctor. And, Big Finish eventually got the license to produce audio stories with the Classic Doctors, including Paul McGann (which are pretty good).

My point in bringing this up is the the TV Movie served as a pre-reboot, restart button. Now that the Powers That Be know what not to do, they could learn from those mistakes and when the time was ripe for a revival, they were able to get the right people in the right jobs. It was a way to wash away all the jokes and bad feelings and preconceived notions that had been clinging to the franchise and preventing it from coming back properly.  But once they got all the fanboy wank out of their system (or something), things could calm down and set the stage for Doctor Who to return in 2005 - not only return, but to be a success (do you all realize that people like Neil Gaiman are already talking Series 9?? (scroll down a bit) 24 didn't get that many seasons!)  So, to all those nay-sayers who thought Doctor Who was dead, we say this.

And I read over those paragraphs and realize how negative that sounds. And I don’t want to be negative about this at all! There is plenty to love about the TV movie and it deserves plenty of praise for the behind-the-scenes things it contributed to the Doctor Who franchise as a whole.  And Paul McGann is flipping gorgeous and I love him to bits and if he gets even a short cameo in the 50th Anniversary Special, I will be ever-so pleased.

(Barring that, I can't figure out why Steven Moffat or Mark Gatiss or somebody can't work in a "The Two Doctors: Redux" special of some sort.  Even a short mini-series spin-off, just to give the Eighth Doctor a few more televised episodes or something).

***
Back in June, Daphne Ashbrook put together RegenerEIGHT - an epic (excuse me, EPIC) global rewatch of the TV Movie (of which your humble correspondent was a participant).  I thought it would be fitting to include the commentary from that event with this review, which also included Yee Jee Tso (Chang Lee), Gary Russell (author of several Doctor Who novels - one of which is my absolute favorite and I will be reviewing later) and Ken Deep (Head Chief in Charge of the Long Island Who convention in November). You can listen to the commentary with your DVD copy of the TV Movie, or just listen to it on its own.  Enjoy!



***
Next Time, on Librarian in the TARDIS -
Review 8.02 - All the universe of Big Finish... where do you want to start?

Previously -
Review 7.03 - Respecting the Past, Moving on into the Future