Showing posts with label fifth doctor. Show all posts
Showing posts with label fifth doctor. Show all posts

Tuesday, July 2, 2013

Why My Sister Let Me Sleep With the Light On

Librarian in the TARDIS, Review 5.03

Title: Fear of the Dark
Author: Trevor Baxendale
Team TARDIS: Fifth Doctor, Tegan, Nyssa
Adversary: The Bloodhunter, The Dark
Original Publication Date: January 2003
Range and Number: Past Doctor Adventures #58

Synopsis (from TARDIS Wikia) -

On a moon of the ruined planet Akoshemon, an age-old terror is about to be reborn. Something that remembers the spiral of war, pestilence and deprivation – and rejoices in it. The Fifth Doctor joins a team of archaeologists searching for evidence of the planet's infamous past, and uncovers more than just ancient history. Forced to confront his own worst fears, even the Doctor will be pushed to breaking point – and beyond.

My Review:

I have a lot of things to say about this story.  Some of it will be bog-standard book review stuff about plot and characters and writing and storytelling.  But some of it is going to be quite personal and introspective (and I might get in trouble for sharing some of it).  Just - stick with me through this.

It is no secret that the Fifth Doctor is my Doctor.  He's not the Doctor I started with, but he is the one I connect with the most (this is different from connecting with a certain Doctor's era - I freely admit that there are companions and characters and stories from other eras that I love just as much as I love the Fifth Doctor's era, but I just take the other Doctors are part of the package deal).  But Five is the Doctor that I think I could actually talk to and who would listen, and at the same time I would listen to him. He’s very congenial and easy-going and pleasant company.  Of all the Doctors, I would probably be best friends with the Fifth Doctor.

It is also no secret that I am a very emotionally tender person.  No, that's putting it too kindly.  I am a colossal wimp.  When I was little, I would cry and get scared of the most ridiculous things.  I can't even remember specifics because it's so embarrassing, but I just remember that they happened.  I still have that problem as an adult, but I've trained myself to keep a lid on it until I can get somewhere that I can sob my eyes out (like locked in the bathroom).  There are certain things that I find disturbing and distressing that most people can handle just fine.  Example: When I was four, ET: The Extra Terrestrial scared the living crap out of me.  But my two-year-old sister loved that movie (still does, as far as I know).  She laughed and giggled at the movie while I was cowering at the bottom of the stairs just because the camera panned across a bunch of stuffed animals that E.T. was hiding in.  Don't get me started on the cornfield scene.  Or the guys in hazmat suits. Or E.T.'s family coming to pick him up.  Just - don't show me that movie.

Another example of why my sister is so much braver than I am (that will come into play later) - my sister and I shared a room and I was terrified of the way the lights and shadows from outside would shine through our bedroom window, so I had to sleep with the light on.  My sister wasn't scared, but I was.  I'm sure it annoyed her to have to have the light on because I was such a baby, but she let it happen (I can only imagine how excited she was when we finally got our own rooms).

So, how does all this childhood trauma relate to "Fear of the Dark" and the Fifth Doctor?  Of the books I've read from this 50th Anniversary range - I would rank this story as "The Caves of Androzani" of the series. After I finished it, I felt the same as I did the first time I watched “The Caves of Androzani” (that is one that I have to be in the right frame of mind to watch. It is a very well-crafted piece of storytelling, but damn if it doesn't make me ugly-cry every single time I watch it). I wandered around in a stunned-funk for a while, trying to come to grips with what I just read. It could very well be that the Fifth Doctor is my Doctor and anything bad that happens to him, I take very personally.

This review is probably the hardest one I've tried to write so far. Not because I hated "Fear of the Dark" - far from it! This book is probably the best one in this range so far. It ticked all the boxes for a good Fifth Doctor story for me. Actually, it ticked all the boxes for a good Doctor Who story, period! (I kept thinking “This is what ‘Ten Little Aliens’ should have been!”) The Doctor, Tegan and Nyssa were written beautifully - I could imagine this being adapted for Big Finish and I could even hear Peter Davison, Janet Fielding and Sarah Sutton’s voices in my mind as I read the dialogue between the characters. The side characters were wonderful - I cared about each of them, I wanted to know more of their backstory, I was sad when they died (spoilers - but you knew it was coming, right?) The whole thing was very atmospheric and scary and there were so many things that I picked up on that I could have written about (a lot of it is very personal and introspective for myself, which makes me so glad I got to read this book).

But my reaction to “Fear of the Dark” is not the cynical, world-weary, hipster take on a Doctor Who story. It’s less about technical aspects of crafting a piece of fiction and more about how the story made me feel and think. There were lots of times that I had to stop reading and go do something else for a while. I either wrote about the things this book made me think about or I’d go watch silly YouTube videos because I needed to take a break. This resulted in some very strange mood-whiplash as well as pages and pages of typed notes that will most likely not see the light of day.

There is such a contrast in giving a story this dark and foreboding to the Fifth Doctor.  It seems like the all Doctor’s incarnations to this point (possibly with the exception of the First Doctor, at least initially) all got some kind of thrill from being the one in charge, the one that’s going to make everything better, the one that’s going to chase away the monsters. He is the Doctor, he is there to save the day, everyone else is stupid and beneath his notice except for his companions who are his best friends that he would do anything for (I’m over-simplifying the idea, but go with me on this).

By contrast, Five would rather leisurely explore the universe without running into Cybermen or the Master or Omega or violent and crazy mobs - but he gets drawn into these fights against his will, often with disastrous consequences. And while the Fifth Doctor does not want to be a hero, he will do the job if it is required, but very reluctantly.  He is the one least-willing to let his companions get into the line of fire, but it somehow happens anyway. He is the one who wants everyone to get along and be friends because it’s easier than fighting all the time - but the more he tries to get people to calm down, the more violent and agitated they become.

But still - there is no reason to totally give up hope, just because you can’t see what’s coming ahead of you. The Doctor even says as much - when the Dark sneers that everything in the universe is afraid of the dark, the Doctor comes back with (paraphrasing) “people are afraid of not seeing what’s coming - afraid of the unknown that lurks in the dark.” And while the Doctor himself starts down that path of despair and hopelessness, he still comes out as the hero of the show - the one who fights off the monsters and saves the day. Because, of course he does. The Doctor’s always going to be there to light the way in the darkness - even if he needs a little help from his companions to bring him out of that very same darkness he’s fighting off.

Maybe I’m wrong in wanting my Doctor to be fallible and not affected by silly human worries - but something resonates with me if my hero can screw things up, but still be the hero in his companions’ eyes and my eyes as well. I relate to the Fifth Doctor because I have screw-ups too and they nag at me continually. And I see this Doctor deal with those same doubts, but he still moves on in spite of them. While going back to Gallifrey and being the content little Time Lord within the hallowed and stuffy system of the Citadel is never an option for the Doctor, I wonder if sometimes he feels like that would be so much easier. To give up the traveling and the adventures because it’s not worth the guilt and pain. I certainly have had similar thoughts in recent days, but it’s actually quite uplifting and encouraging to see my hero face that and still come out okay. Might not be 100% perfect, but he’s still the Doctor and he’s still going to do what he does regardless of how hard things get (and things are going to get harder as time goes on). But he keeps that promise, no matter what happens.

Something very hopeful in that, isn't there?

***
While the themes of hope and resilience played such a huge role in this story, for me it was Tegan and Nyssa's relationship that took center-stage (and by extension, their relationship with the Doctor).  The theme of fear made me think of my younger sister and things that happened when we were kids, for reasons that I've mentioned a bit, but I'm going to get into more here.

Tegan and Nyssa are so different from each other, but their sisterly relationship is always so apparent. In “Fear of the Dark,” Nyssa’s telepathic abilities are severely affected by the Dark (it uses her to resurrect itself). The Doctor is having to run every which way he can to figure out what is going on, but it’s Tegan that’s concerned for Nyssa (the Doctor is worried for Nyssa too, but he’s so occupied with other things that by the time he gets to Nyssa’s problems, it’s almost too late). I sometimes gripe about Tegan getting so much attention because I really do love Nyssa and wish she got more to do, but there are times that I’m glad Nyssa and Tegan have that bond that only comes as you travel with the Doctor. I would dearly love to see two full-time companions from different time periods or even different planets who become best friends in New Who. It doesn't have to be romantic - just two people who wind up on the TARDIS by the most bizarre circumstances and who connect simply because they’re together and the Doctor’s kind of a loon (but still very lovable) and they each need someone to confide in.

People often wonder why Tegan and Nyssa needed to share a room in the TARDIS. The TARDIS is huge! You could have any room in the ship to yourself! Why share? Well, I think it’s because when you’re going through lots of wild and scary things, you’d like to know that there’s someone else there. Even though you know the Doctor’s in the console room tinkering around with some circuit or gadget, it’s a good feeling knowing someone else is close at hand in case things go wonky at the last minute. Tegan and Nyssa's relationship reminds me a lot of mine with my younger sister (the aforementioned much braver two-year-old who laughed at E.T. while her older sister was crying on the stairs) - both have very different personalities and there's no real reason for the two of them to get along, but they come to depend on each other in their travels, much the way I depended on my sister when we were little kids.

I wouldn't ever tell this to my sister’s face (unless she reads my blog, in which case - Hi, Emily! I’m about to really embarrass you!), but I did appreciate the fact that we shared a room when we were little. Like I said earlier, I was a colossal wimp (in spite of being the older sister) and still am in many ways. But Emily was always the brave one - when Mom or Dad were mad at us, I was the one freezing up and panicking that I was going to be in sooooo much trouble and I'd try to hide, but she didn't have a problem standing up for herself (and for me, from time to time).  She let me sleep with the light on because I was scared of the shadows from the window. And I know it annoyed my sister, but she let me do it anyway.  Looking back, I realize how nice that was of her to do that.

As I got older, I became very self-conscious that my little sister had to be the brave one and stick up for me when it should have been the other way around.  To my great shame, I did some things in middle school that I really regret now - ignoring her when she came into middle school and treating her like a dumb little kid in front of my friends - “friends” that I now know were not the kindest people in the world and really didn’t deserve my time and attention.  Nyssa may have felt that she was from a more civilized and advanced society, so she should be the one to look after Tegan (that does come up in a few scenes in “Fear of the Dark”), but she never tried to alienate Tegan just for being braver. And I guess it’s pathetic that it’s taken me this long to realize it (and seeing it through the eyes of a couple of fictional characters) - but I wish I could go back and tell 13-year-old me to be nicer to her sister because her sister’s the one who’s going to have your back later in life and all these idiots you’re trying to impress in middle school are going to leave you high and dry the minute it suits them.

***
In the end, Team TARDIS limps back to the ship, amazed that they've even made it back in one piece, surprised by how safe and peaceful it feels. And while they’re battered and bruised, there is still the promise of another day and another adventure. But after a good night’s rest first (with the lights on, of course).

I think that’s the most hopeful message Doctor Who could ever convey. It’s okay to feel drained and beat up by life and it’s okay to sleep with the light on. It’s okay to be scared of the things that you have to deal with - sometimes on a daily basis. But it’s also okay to be brave - even if you’re just pretending.

And, most importantly (for me), it’s okay to depend on your little sister.

***
I don't usually do dedications, but this post is dedicated to my sister Emily who helped me keep the monsters at bay.  She probably doesn't realize that she did that - I didn't realize it until I read this book - but her bravery helped me be brave when I felt like doing the exact opposite.  Still does, as a matter of fact - to this very day.

***
Next Time, On Librarian in the TARDIS -
Review 6.01 - If there was a contest for Most Unpopular Opinion... this one might just win.

Previously - 
Review 5.02 - Doctor Who Discovers a Twist in Time

Saturday, June 29, 2013

Doctor Who Discovers Twists in Time

Librarian in the TARDIS, Review 5.02

Title: The Kingmaker
Written by: Nev Fountain
Team TARDIS: Fifth Doctor, Peri, Erimem
Range and Number: Big Finish Main Range, #81
Release Date: April 2006

Synopsis (from TARDIS Wikia) -

Dr Who encounters one of the most notorious characters from the past as he journeys through time to solve the great Historical Mysteries...

Not surprisingly, the Doctor becomes mixed up with Richard III himself as he tries to unravel the perplexing problem of who exactly killed the princes in the Tower.

Peri and Erimem also encounter a suspicious time traveller. Someone from the Doctor's own past. Someone who shouldn't really be there at all.

So who did murder the princes in the Tower? Perhaps it's best not to ask a question like that...

You might not like the answer...

My Review:

Did you happen to notice the TARDIS Wiki synopsis for this story refers to the Doctor as “Dr. Who?” There is a very good reason for that. One that I’ll get to in a minute. But first, some background.

This was one of the first (if not the very first) Big Finish audios I ever listened to. I couldn’t tell you why I picked this one other than I’d recently finished up all of the Fifth Doctor’s TV stories and was feeling slightly depressed because I’d grown so attached to Fivey (it’s only gotten worse in the intervening years) and I wanted more of his stories. And, for whatever reason, I zeroed in on “The Kingmaker” to give me my Celery-Boy fix.

And, honestly, I could not have picked a better story.

The story starts in sixteenth-century London with Peri and original-to-Big-Finish-companion Erimem taking in the local cultural flavor in the form of Shakespeare’s Richard III. There are some brilliant and hilarious moments of culture clash because Peri accidentally spoils the ending of the play for the crowd and Erimem (a princess from ancient Egypt who came thisclose to being crowned Pharaoh) knows how to take care of lustful pigs who try to grab her bottom (her penchant for breaking arms becomes a delightful running gag throughout the story). Peri and Erimem wonder about the mystery of who killed Richard III’s nephews. Shakespeare, of course, asserts that Richard did it in order to become king.

Just a quick word on history and literature in this context - my college Shakespeare class spent a unit on Richard III and we discussed endlessly whether Richard really was this venomous, evil little troll who killed his nephews in order to secure the crown or if Shakespeare was just engaging in propaganda because anything that made Gloucester look bad made the Tudors (as in Queen Elizabeth I’s family) look good. Of course, as with any discussion in a college-level humanities course, there were never any definitive answers - only broad, disinterested speculation. And honestly, probably no one really knows and even fewer people care (just like all those missing episode rumors that a certain beclowned website keeps peddling even though the rest of us are well and truly sick of it).

(Sorry - tangented in the parentheticals there... now where was I?)

Actually, Richard comes off pretty good in this story. By no means is this story meant to be taken seriously. The tone of the storytelling reminded me a lot of “The Romans” - it’s grounded in history, yes, and there are plenty of serious moments. But on the whole, there’s plenty of dry humor and deadpan snark to balance it out and make it a good comedy.

But then there’s that whole scene where Richard tells the Doctor to kill the princes himself in order to keep the timeline stable - and there is not an ounce of funny to be seen for miles.

But then someone makes a short joke and Richard gets upset and you start laughing again.

This story is also quite meta. One of my favorite moments comes at the beginning when the Doctor gets cornered by a robot who is tasked with getting manuscripts from writers who have missed their deadlines.  Apparently the Doctor was hired to write a line of educational books for children that was supposed to be titled things like "The Doctor, Who Discovers Historical Mysteries."  Except somebody forgot the comma and designed a logo for the series (which looks suspiciously like the diamond logo from Tom Baker's era - going by the image on the CD cover) and the Doctor was stuck with the name of the series.  Considering how we fans constantly correct and argue about the title of the show and the name of the main character with the "not-we," it was amusing to hear Peri and the Doctor discuss the issue.

Also, this story is a classic example of the Fifth Doctor getting in over his head with certain wrong crowds, but still trying to be the consummate gentlemen.  Not that I enjoy watching Five in uncomfortable situations, but it is entertaining watching him getting out of those situations.

Peri and Erimem get separated from the Doctor, which makes for some great moments with the two of them trying to figure out how they’re going to get back (they really are a great team together in all their Big Finish stories. They remind me a lot of Jamie and Zoe - both from different time periods, but they become best friends and they each have someone to commiserate with when neither knows what the Doctor is doing).

Plus, the Ninth Doctor makes a cameo appearance in a total Big-Finish-not-going-against-the-terms-of-their-license-with-the-BBC-but-still-getting-away-with-it, so that's an added bonus (as is the appearance of not-Tom Baker on a tape recorder - it's actually the voice of an uncanny Tom Baker impersonator that totally had me fooled the first time I heard this one).

Anyway - it’s a really great story, one that I highly recommend. It’s quirky and fun and timey-wimey without being horribly confusing. But it's difficult to talk about this story without just repeating all the jokes and memorable moments.  It's much more worth it to listen to this story yourself and experience it on your own.  There is also a fantastic twist at the end which I won't spoil for you, but the Doctor definitely solves the mystery of Richard III and his nephews.

(But did the Doctor ever make his deadline? That's the next mystery - Doctor Who Discovers the Terms of Publishing Contracts).

***
Next Time, on Librarian in the TARDIS -
Review 5.03 - Breaking the Nice Ones

Previously -
Review 5.01 - "It's Too Late for Pity." Actually, No It's Not.

Friday, June 21, 2013

"It Is Too Late For Pity." Actually, No It’s Not.

Librarian in the TARDIS, Review 5.01

Title: Warriors of the Deep
Written by: Johnny Byrne
Team TARDIS: Fifth Doctor, Tegan, Turlough
Adversary: The Sea Devils, The Silurians, Nilson and Solow
Originally Aired: January 5-13, 1984
Number of Episodes: 4

Synopsis (from TARDIS Wikia) -

The Fifth Doctor, Tegan and Turlough arrive on Sea Base 4, a nuclear warhead station under the sea that has some very nasty neighbours.

My Review:

“You can see the strings and stagey bits, and if you agree to believe it, you’re off to the races. It’s a show you must meet half-way, which I do, and I’ve been repaid for it many times over.”
     - Tycho, Penny-Arcade.com (speaking of Doctor Who)

In all my geeky pursuits in all my life, the one thing that has drawn me to different series is story. Plot, characters, motivation, humor, drama - whatever you want to call it. If a series can tell a decent, good or amazing story, I don’t give two shits about special effects or costuming or any of that other technical drivel. If you can get the SFX on par, then pat yourself on the back and give yourself a cookie. But without story, you haven’t got enough to offer me and I don’t have any time to spare for you.

Case in point - Harry Potter and the Goblet of Fire (batten down the hatches because Hurricane Christina is about to make landfall!) Until Half-Blood Prince came out, this book was my absolute favorite of the series. There were so many intricate plots and characters and moments and everything fit so well together and called back from the first three books - it was an absolute delight!

And then the movie of the book came out. And it sucked balls. I have no nice way of putting it - all the Goblet of Fire movie served to do was to pad the SFX department’s interns’ resumes. Mike Newell pretty much came in and took a huge dump on the Potterverse (I also blame Alfonso Cuaron - he who ruined Prisoner of Azkaban - for telling the studio that Goblet of Fire didn’t need to be split into two movies. I’d like to tell Cuaron where to stick it, if I ever get the chance). They ignored the entire plot and character development in favor of an exhibition of what they could do with CGI - and threw in a completely useless dragon chase scene. That movie is a prime example of what happens when you give something so marvelous and special to a big-time movie studio and all they want to do is make money off it - they didn’t even care about being faithful to the source material or the fans. I mean, there was no attempt at faithfulness here - not even a halfhearted attempt. If they’d tried and failed, that’d be a different story. But in reality, they just didn’t give a damn.

*deep breath* I knew I’d go on a tirade about that if I brought it up, but it serves to illustrate my feelings on special effects in movies and TV (and they got Order of the Phoenix right anyway, so there was some forgiveness. Not much, but some). Special effects are great and wonderful if you can get them right and if they support the story. But if you don’t have a good story to hang the special effects on, nothing else matters. It’s the story that matters the most. You can’t depend solely on effects to carry your franchise (George Lucas and James Cameron, I’m lookin’ at you!)

Which is why I love “Warriors of the Deep.” Long maligned and often seen as the start of the demise of Doctor Who in the '80s - I actually adore this story, for the simple reason that I can look past the bad effects and rushed costumes and see it as a brilliantly written piece of television. I can even forgive the ill-timed karate kick against the Myrka* (hell, I can forgive the Myrka. He’s actually kind of cute - if you squint and look at him sideways). But all the elements are there for a fantastic and atmospheric story - right there in the script, before any of the effects crew started in on it.

I wanted to test if the story really was that good or if I was just defending this story simply because it belongs to my Classic Doctor and I was loathe to hate on anything Fifth Doctor (it’s been known to happen - I regret nothing!) So, I found a used copy of the Target Novelization on Amazon, purchased it and read it. Even though I’d seen the televised story, I managed to ignore that fact and imagine that reading the story was my first experience with it. And the story holds up spectacularly!

The Story -

“Warriors of the Deep” is basically “The Caves of Androzani” without the Doctor dying. The Doctor tries his damnedest to get the two sides to listen and cooperate... but everyone dies because the people the Doctor’s dealing with are hell-bent on destroying one another and never mind who gets in the way. When you have even one side in a conflict who is so determined and so set in their ways, not even the Doctor can stop them (okay, maybe this isn’t so much “Caves.” More "The Sea Devils" - which is a classic in and of itself.  But my point stands).

Apart from Team TARDIS, there really are no good guys in this story. The Sea Base is being sabotaged from within by Nilson and Solow  and the Silurians just show up to speed along the process. The Doctor tries to get all sides to calm down and work out their differences - but neither side is remotely interested in doing that. And the story ends with the Doctor sporting a spectacular black eye, having put everything on the line for these misguided idiots, surrounded by dead bodies lamenting “There should have been another way.”  And there probably was - but nobody was going to tell the Silurians or the humans any different.

Truly, the best thing the Doctor could have done is get Tegan and Turlough back into the TARDIS and let Sea Base 4 implode upon itself - good riddance to bad rubbish. But this is the Doctor and he is similarly determined to get the humans and Silurians to calm down and talk about things rationally (sweet, sweet Fivey - so lovable and idealistic, such a gentleman, but also so naive). This story is first and foremost a commentary on the Cold War, but I can’t help but see this scenario repeated throughout history and even in today’s world - just with different names and faces. There are certain people you just can’t rationalize with because they refuse to be rational. So, the best thing you can do is bunker down and protect yourself and your own and let these crazy bastards destroy each other.

(Kind of a pessimistic way to take it, but lately I’ve been seeing so much destructive behavior on the large and small scale in real life and no one seems to care that it’s happening. Consequently, I’ve given up on much of humanity. Honestly, there are days where I’d just rather the world get on with the business of ending. There’s really nothing I can do to fix anything and no one’s going to listen anyway. My patience has been tested to the edge and there are so many people that I am just *wipes hands* done with it all).

Other Things That I Liked (in list format) -

- “What have you been eating?” THAT is a funny line. And not just once - but twice!

- Turlough - “If the Doctor had intended to destroy it, it would be lying in pieces at your feet!” My friends, Vislor Turlough, Snark Master Supreme.

- Actually, Turlough is pretty awesome in this story. He storms into the command center of the base demanding that the captain open the bulkhead so the Doctor and Tegan can escape (“I know what the commander’s orders were, but now I’m giving you mine!”) Turlough may be a little shit from time to time, but if you’ve won his loyalty you’ve won a fantastic friend and ally for the rest of your life.

- When the Silurian says “Release the Myrka,” I can’t help but think of “Wewease za secwet weapon!” from An American Tail

- The subplot of Nilson and Solow sabotaging the Sea Base while everyone else is running around after the Silurians is really compelling stuff. Solow may suck at Myrka kung-fu, but she definitely works as a diabolical enemy scientist. The scene where a brainwashed Maddox is forced to kill Karina (who has been a friend to him so far) is so striking, even when intercut with the crew facing the threat of the Myrka breaking down the door. It’s a smaller scene by comparison, but it’s underscores the larger threat of Nilson and Solow’s betrayal.

- Can’t forget also that “Warriors of the Deep,” to it’s everlasting credit, gave us this:

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and this:

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(Any story that’s going to give me Peter Davison in the Doctor Who equivalent of a Wet T-Shirt contest has bonus points before it’s even started. Like any fangirl, I have my shallow moments).

The Effects -

And yet, I still hear the perpetually-malcontented whining “But - but - but - the Myrka! Wobbly sets! It sucked!”

Well, yeah. If you’re looking at it through the lens of a modern audience.

The fact is that special effects don’t age well (hell, there have been brand new effects in New Who that were just a wee bit dodgy two or three years ago) and the technology available to a 1980s television station wasn’t that great compared to today’s standards (hell, the technology available to George Lucas in 1980 isn’t great by today’s standards).  I expect the technical side of Classic Who to be a bit subpar. But that's nothing to apologize for or be ashamed about. I don’t use that fact as a stick to beat up on the series. That’s like hating on an orchestral performance just because the third flutist was off-key. The effects help tell the story, true, but they aren’t the whole story. There are so many other wonderful elements at work here that bring everything together. And as long as the story is compelling and the characters are engaging (which, the important ones are in this story), then I am on board.  And, like Tycho in the opening quote, I have been repaid for my efforts hundreds of times over.  People who dismiss Classic Who because of production values and other bits of technobabble are missing out on something incredibly special (and really, I don't really want those complainers and whiners in my fandom, mucking things up and ruining my fun, so it's probably just as well).

(I do realize that people were beating up on Doctor Who at the time and it is not a new thing to bitch about 1980s Who. I will have words on that in a future TV story review. Don't worry, you'll all have your turn).

For all the media’s insistence that the sets wobbled and the budgets weren’t that good (which, I believe the latter. But I call so much bullshit on the former - more on that in a future post), the one thing Classic Who got right consistently was the storytelling. From 1963 through to the Wilderness Years and beyond, Doctor Who has been about superb storytelling and wild imagination. That fact might have given set designers and costumers a little heartburn back in the day, but the people that get drawn to Who are the people who are drawn in by amazing stories, not necessarily by effects and whizbang (leave that nonsense to Michael Bay and the hoards of braindead who keep him in business). This is why I can love things like “The Sensorites” and “The Curse of Peladon” and, yes, even “Timelash” - the stories are fantastic and compelling and the angst over production values can go hang.

***
Since the Fifth Doctor is my Classic Doctor, I could have chosen any of his stories to gush about.  While "Warriors of the Deep" was the obvious choice (unloved and mistreated as it is), I still wanted to acknowledge all the wonderful and brilliant TV stories of this time.  So, here is one of my favorite fan videos featuring Fivey. Enjoy -



***
*If it means so much to you, Big Finish has an audio with the Sixth Doctor called “Bloodtide” that features the Silurians and the Myrka. The Myrka in that story is portrayed as much scarier and the Doctor mentions that the only Myrka he ever met was just a baby. Which means that the "Warriors of the Deep" Myrka was more akin to a clumsy toddler learning to walk than a terrifying sea beast hellbent on destroying everyone.

***
Next Time, on Librarian in the TARDIS -
Review 5.02 - The Fifth Doctor Does Historicals (or Everything Shakespeare Told You Is Wrong!)

Previously -
Review 4.04 - Well, That Was a Book. Yup. Definitely a Book.