Showing posts with label tenth doctor. Show all posts
Showing posts with label tenth doctor. Show all posts

Tuesday, October 15, 2013

Family. It's About Time.

Librarian in the TARDIS, Review 10.3

Title: Beautiful Chaos
Written by: Gary Russell
Team TARDIS: Tenth Doctor, Donna Noble (and I’ll include Wilfred Mott, just because)
Adversary: Mandragora Helix, Dara Morgan, Madam Delphi
Originally Released: December 2008
Range and Number: New Series Adventures, #29

Synopsis (from TARDIS Wikia) -
Wilfred Mott is very happy: his granddaughter, Donna, is back home, catching up with family and gossiping about her journeys, and he has just discovered a new star and had it named after him. He takes the Tenth Doctor with him to the naming ceremony. But the Doctor soon discovers something else new, and worryingly bright, in the heavens – something that is heading for Earth. It’s an ancient force from the Dark Times. And it is very, very angry...

My Review:
More than any other book (mostly because I’d hadn’t read any Classic Doctor novels), this was the one that I was most excited to see in this reprint range for the 50th Anniversary. Chronologically, it’s the last novel to be published with Donna as a companion and it also serves as a final goodbye to her story. But it also sort of sets up what comes next for the Noble family - even though it was published a year before “The End of Time” aired on TV (not sure what Gary Russell knew beforehand, or if he’s just really good at guessing. Either way, it’s a real treat). I didn’t know any of those details the first time I read this, though. I loved it on its own merits - just because it’s a fantastically beautiful story and there was something that drew me in. I think of all the novels they could have chosen for the Tenth Doctor, this is the one that most accurately represents how the Tenth Doctor solidified my love of Doctor Who - the reason I continued on in the show and into the fandom.

This story has all the hallmarks of an RTD-era story. One of the biggest differences between Classic Who and New Who that I've often heard talked about between is the greater emphasis on the companions’ family and friends in the new series. In our modern of television, that seems like a no-brainer. Family relationships are often explored in-depth on many popular TV shows - but back in the 1960s and beyond, it wasn't that big of a deal. Especially (I suppose) in science-fiction TV. Because the focus was typically on alien threats or sciencey explanations, not on characters’ background and family ties. The characters were largely a vehicle to tell an alien invasion story and didn't matter a whole lot. But think about it - did Sarah Jane’s Aunt Lavinia worry about her when she didn't come back from UNIT? How did Ian and Barbara’s family and friends react to their disappearance and inexplicable return two years later? What happened in the aftermath of the death of Tegan’s Aunt Vanessa? (oops - spoiler alert for “Logopolis” on that one) Scads of fanfiction has probably been written about these (and other) questions from Classic Who because, well, our modern perceptions about characters have changed. It’s not just about plot-driven stories (though heaven knows I love a tightly-woven plot) - you also need sympathetic characters to relate to and, sometimes, that involves bringing in their families and friends. And because those are largely missing from Classic Who, the fans step in and fill in the gaps.

(Speaking of fanfiction filling in the gaps in companions' lives, here's a wonderful story dealing with Ian and Barbara's return home and how they have to deal with friends' and family's questions about where they've been: Homecoming by Kazzy)

Now that I've got that tangent out of my system - "Beautiful Chaos" starts out with the Doctor bringing Donna to May 15, 2009 - the one-year anniversary of her father’s death. Donna's mother, Sylvia, is as abrasive as ever, but Grampa Wilf is understanding and loving and patient toward his granddaughter. The Doctor, sensing that he could be an unwelcome addition to this solemn day for the Noble family, takes off in search of some clue that has mysteriously appeared on the psychic paper.

(And, looking at the date, I realize that this probably creates a huge issue with the events after “Journey’s End” - what with Donna having had her mind wiped and all - but the fun of the novels is that their canonicity is very fluid. And if you don’t look too closely at it, you can enjoy a great little story without having the panic of “Canon Blinders” getting in the way of your fun. Thus, is the appeal of Doctor Who. At least, in the opinion of your not-so-humble correspondent, it ought to be).

As far as this story’s placement within the events of Series 4 (from Team TARDIS’s point of view, anyway) - At first, I was certain that this novel is set somewhere after “The Doctor’s Daughter.” But there was one line that made me think it could be after the Library two-parter. The Doctor is contemplating giving someone a hint about their personal future, but then he thinks that might not be a good idea. And then there’s this one sentence in its own paragraph:

“Spoilers, as someone once said.”

So, while there’s no more concrete evidence than that, I actually think this story comes some time after the Doctor and Donna’s trip to the Library. Which, given the bleakness and emotional roller coaster that was, puts even more poignancy into it. Like I wasn’t already thisclose to crying.

Anyway - back to House Noble: Wilfred has two new things in his life - (1) a not-girlfriend, Henrietta “Netty” Goodhart (subtle one there, Gary) and (2) Wilf has discovered a new star, which the Royal Planetary Society has named the 7432MOTT in Wilf’s honor. But the new star isn't everything it seems - it’s actually a Chaos Body, one of a number of unexplained space phenomena that are actually attached to the Mandragora Helix that has come to take over the population of Earth.

(If “Mandragora Helix” sounds familiar, that’s because this story is a sequel-of-sorts to the Fourth Doctor story, “The Masque of Mandragora.” I have seen “Masque,” but I don’t remember what happened. It’s one of those that I sort of lost interest in partway through and it just became background noise while I was doing something else and when it was over, I was left thinking “What the crap just happened?” Maybe your experience is different. If it is, let me know.)

The Mandragora has taken over a number of people and they’re converging on the Doctor because the Mandragora remembered how the Doctor stopped it all those centuries ago and it wants revenge. And it’s going to take it on the Doctor’s friends before it actually takes over the Doctor (a Time Lord would be a great little host for the psychic-based Mandragora). However, Netty, volunteers to be bait for the Mandragora - because Netty is in the early stages of Alzheimer’s, the Mandragora could take her over and if she “slips” into an Alzheimer’s episode, the Mandragora won’t be able to do anything and could be defeated.

(Tissues, anyone?)

This, understandably, upsets Wilf and, by extension, Donna. But once she understands the dangers and what’s at stake, Netty is insistent that she be the one to take the risk. And the scene that follows is handled so beautifully and so touching that you almost forget about the huge, impending alien threat. Ultimately, this story is more about the human relationships - first, the family relationships with Donna, Sylvia, and Wilfred; second, the relationship between Wilfred and Netty (and, to a lesser-degree, between Sylvia and Donna’s father, Geoff). And it makes sense to have that kind of shift in focus, especially since the Doctor has lost his home and family - no matter how terrible the Time Lords became, there still must have been friends or family that he left behind.

Now, I know there are probably going to be a few fanboys who’ll get all bent out of shape over those “icky feelings and emotions” getting into their Doctor Who - there is a serious alien threat in the story that you can focus on if you choose to (I deliberately did not include any of the spoilery details of the Mandragora’s plans to take over the universe, so you can read all about that yourselves). But what I love about this story is that the fear of alien threat is compounded by the connection I (as a reader) have to the characters involved. It brings the story home and makes me feel even more invested than I was before. And it also allows me to read more into other stories from Doctor Who’s past and make other connections and read between the lines - and probably write fanfic in my head (though I don’t know if I’d ever feel comfortable enough to write my own).

To conclude - fantastic story, bit of a tear-jerker, lovely character moments, return of a Classic Who villain (which, you’d only notice if you were familiar with the Mandragora in the first place), and it all makes for my favorite New Series Adventure novel. Highly recommended and, with it being reprinted for the 50th Anniversary, now is a great time to add it to your bookshelf.

(C’mon - do it! You know you want to!)

***
Another Thing I Noticed But Couldn’t Shoehorn Into My Review - The Tenth Doctor hates bow ties. When he’s getting ready to accompany Donna and Wilf to the big Star-Naming Banquet with the Royal Planetary Society, he has to dress up in black-tie and he remarks that bow ties make him look like a waiter. Obviously, formal dress bow ties are slightly different than the Eleventh Doctor’s professorial bow ties, but it was a hilarious remark, knowing what the Doctor’s next incarnation’s dress sense becomes. Almost makes me wish Ten could meet Amy Pond.

***
Next Time, on Librarian in the TARDIS -
Review 11.1 - The One That Saved My Life (not exaggerating in the slightest - you’d think I’d get tired of telling this story...)

Previously -
Bonus Review #2 - The Enemy of My Enemy

Thursday, October 3, 2013

Life Can Be a Bumpy Ride. Let the Doctor Smooth it Out

Librarian in the TARDIS, Review 10.2

Title: The Forever Trap
Written by: Dan Abnett
Team TARDIS: Tenth Doctor, Donna Noble
Adversary: Ilk, Nanovores
Originally Released: October 2008
Range and Number: New Series Adventure Audio Stories #2

Synopsis (from TARDIS Wikia) -
The Doctor and Donna are imprisoned on the Edifice - and become neighbours to a terrifying assortment of aliens. When the TARDIS is invaded by a holographic marketing scam, the Doctor and Donna find themselves trapped on the Edifice, a purpose-built complex of luxury apartments in space. Their new environs leave much to be desired: millions of beings from across the Universe have been gathered to live side by side in similar apartments. Instead of creating neighbourly affection, it's led to terrible battles being waged in the corridors and on the stairwells. The Doctor and Donna must cross the paths of deadly alien mobs as they search for the Edifice's ultimate authority. Who - or what - lies at the heart of the incredible complex? What destructive scourge is eating away at the Edifice itself? And are the Doctor and Donna trapped forever in this living hell?

My Review:
Now that it's fall and a lot of TV shows are beginning their new seasons, I've picked up a few new interests.  And there are a lot of things that I've really enjoyed.  But at the same time, I can't help but think "How many different stories can you tell with just this group of characters and this very same premise?  You guys have gotta come up with some good stuff or it's just not going to work in the long-term."  And that's just a fact of television (and movies, to a lesser degree).  But Doctor Who doesn't have that problem.  As long as there are writers willing to write for the show (and in some cases, "willing" is more like "breaking down the door with a bulldozer"), it never runs the risk of getting old and tired.  Oh, you might have to change out actors, producers, writers, etc. - but there seems to be a never-ending supply of new people waiting in the wings to do something new with that same premise. Whether that's writing TV episodes or novels or comics or audio plays - it's so darn versatile.  And that's something that occurred to me while I was listening to "The Forever Trap" and that's primarily why I chose to review this story.

Let me back up a bit so you know why I say that: There was this little lull period between the time I finished New Who and when I started seeking out Classic Who. I loved Doctor Who and was sold on it now and forever. But I reached the point where most people mainlining a TV show go “Now what?” I wasn't quite sure that I even wanted to try out Classic Who - my faith in my ability to enjoy old-school TV wasn't as strong then as it is now. Oh, sure, I loved the original Star Wars trilogy and preferred it to the newer, flashier, CGI-ier prequels (there’s something about practical effects that grounds a sci-fi/fantasy story in reality) - but could I handle it on TV?

Instead of jumping right into Classic Who, I sought out the New Series novels. And their audiobooks. A great many of which were read by David Tennant, which I quite enjoyed (did you all know he’s actually Scottish?) (and before someone goes all indignant fanboy on me, that was a joke). Thing is, most of the audiobooks I found had a corresponding novel to go with them - hence the “book” part of “audiobook.” But those were the straightforward “someone is reading the book to you chapter-by-chapter.”  But "The Forever Trap" is slightly different than that. It’s by no means a full-cast audio, or even a two-person audio (eg - Big Finish’s Companion Chronicles range). This particular story is Catherine Tate reading this story, just as though it were an audiobook. But there is no actual published novel and the narrative makes use of music and sound effects throughout the story.  The best way I can think of to describe this is it's a melding of audiobook and audioplay.

The story itself starts with Donna and the Doctor in the TARDIS.  The Doctor is tinkering with something under the TARDIS console and Donna's just sort of watching him when this hologram-thing just appears inside the TARDIS console room.  Now, Donna knows this is supposed to be impossible because, well, she did it before and the Doctor said was supposed to be impossible.  The hologram is actually an offer for an intergalactic luxury apartment in The Edifice - it's basically a spambot sent to advertise random crap.  Donna and the Doctor vehemently express their disinterest when the TARDIS jolts and Donna accidentally brushes up against the pamphlet the spambot is offering. Touching the pamphlet constitutes a binding contract and the Doctor and Donna are immediately transported to the Edifice as though they agreed to move in.

Inside their new apartment, the TARDIS is shut down, there's a welcoming bowl of fruit, and the view outside is a magnificent melding of Gallifrey and Chiswick.  Some of the neighbors are friendly, some are outright hostile (who in their right mind would put Sontarans and Rutans on the same floor?), and some are dead (that's what happens when you transport alien jellyfish to a place with no water).  The Doctor and Donna make it their priority to find out what happened to a nice, respectable, legitimate business enterprise into a prison full of people who were tricked into coming here - and why.

I could spoil the ending for you - but the ending is actually what makes this story so enjoyable.  Maybe a veteran Whovian can see it coming a mile off, but when I listened to it for the first time I thought it was quite the little twist.  This was one of those stories that impressed me with the sheer scope and imagination that this franchise was capable of. It's one thing to talk about "Oh yeah - the characters can go anywhere in time and space" and to simply know that as a fact of the show's premise - but to actually see that in practice is a very remarkable thing.

Shifting gears a bit - I've got to talk about Donna Noble.  As much as I love Rose and Martha, Donna is probably my hands-down, favorite companion of New Who.  Maybe it's because her story mirrored mine the most when I was first watching the show - someone who wants to be independent and successful even though outside circumstances have blocked her path, yet she keeps on trying.  Not just trying, but trying in the most unconventional ways.  And when she finally gets her chance with the Doctor - she positively shines.  She has some fabulous moments in that one season she got, but my absolute favorite comes at the end of "The Fires of Pompeii" where she pleads with the Doctor to save just one person from the volcano.  To this point, Donna had proven herself to be smart, funny, and sassy - but in that moment, she showed what she meant when she told the Doctor that he needed someone to make him better.  And in so many ways, the Doctor made her a better person too - helped her with her confidence and self-worth (I make it a habit to ignore how her story ended - in my headcanon, the Time-Lord-energy-stuff is only a problem if she travels in the TARDIS, but she retained all her memories and (more importantly) the growth she experienced in her time with the Doctor. That's my story and I'm stickin' to it).  Probably the best thing about "The Forever Trap" is that it's more of Catherine Tate being brilliant as Donna.  Her reading of the whole story is very good, but anytime she gets to be Donna is just wonderful.  I don't know if Catherine Tate won any awards for her time on Doctor Who, but if she didn't, that is a crime against humanity (well, a crime against the acting industry, at least).

If you like the Tenth Doctor, if you like Donna Noble, if you like audiobooks and audio plays, or if you just like more Doctor Who, this story is certainly one you should seek out and give a shot.  It's different, but it's a good kind of different. Which, I guess sums up all of Doctor Who.

***
Next Time, on Librarian in the TARDIS -
Bonus Review #2 - Christmas has come early, Whovians!

Previously -
Review 10.1 - Nope, I Like This One Too. Get Over It.

Saturday, September 28, 2013

Nope, I Like This One Too. Get Over It.

Librarian in the TARDIS, Review 10.1

Title: Daleks in Manhattan/Evolution of the Daleks
Written By: Helen Raynor
Team TARDIS: Tenth Doctor, Martha Jones
Adversary: The Daleks, The Cult of Skaro
Originally Aired: April 21-28, 2007
Number of Episodes: 2

Synopses (from TARDIS Wikia) -

Daleks in Manhattan -
During the building of the Empire State Building in 1930's New York, the Cult of Skaro continues their attempts to destroy humanity and reign supreme.

Evolution of the Daleks -
As a new Dalek Empire rises in 1930s New York, the Doctor must enter an unholy alliance.

My Review:
This may be my most unpopular-est opinion in the history of unpopular opinions. And it comes purely because I had absolutely zero preconceived notions going into these episodes. Even three years after watching this story, I’m still not seeing all the problems that the perpetually malcontented people do.

I've said before that the first time I saw New Who, I watched it all the way straight through on my own. There was no hand-holding, no veteran Whovian standing over me to tell me what was good and what was bad, no spoilers whatsoever. I just sat down and watched them all the way through (barring a day or so to get over the complete gut-punch of “Doomsday”). It was only after I finished Series 5 (which was as far as the show had gotten when I was catching up), that I went in search of fan opinions and analysis and other kinds of trivia that I started to feel that “stupid noob” backlash - especially when it came to “Daleks in Manhattan” (I’m just going to call this two-parter by that name because it’s easier). Because I thought this was an exceptionally good story - bringing with it all kind of character development, depth of story, additions to the Doctor’s overall story arc, great moments for Martha, and lots of fun side characters.

Instead, I find a bunch of frothing-at-the-mouth fanboys wailing from the gutters of Gallifrey Base about pig slaves and a crappy human-Dalek prosthetic effect.

(That’s the sound of a fangirl still banging her head on the desk, three years on).

I guess some people are just never going to be able to get beyond less-than-stellar effects and I simply have to accept that as their loss. My thoughts on this subject have been made crystal clear. So, I’m just going to focus on what I find so compelling about this story and let the chips fall as they may (and I’ll probably get some entitled fanboy backlash anyway - but how I deal with that is my business).

1 - The Time War. In the previous episode, “Gridlock,” Martha sits the Doctor down and makes him tell her his backstory. She is very no-nonsense, take-no-obstructionist-crap about it (which is awesome in and of itself) and he tells her about it. We-the-audience don’t hear the entire story (seeing as it’s been covered in past episodes before Martha joined the party), but we know the basics - Time War, Daleks were the main antagonists, the events of the war destroyed the Doctor’s home planet, he’s still dealing with the guilt of being the only survivor. When I was very first watching Doctor Who, the idea of the Time War was one of the most compelling storylines woven throughout the entire series. I was never under the impression that I would get to see it, but watching the Doctor deal with the after-effects of the war was enough to tell me that it was horrendous.

2 - The moment where the Doctor is hiding with Tallulah in the sewer and the Dalek goes by and he realizes that at least a few Daleks survived the Battle of Canary Wharf is an absolute gut-punch. Bear in mind that this is not that long after the Series 2 finale, “Doomsday.” And whatever your feelings about the Doctor and Rose (shippy or otherwise) - there is no question that loss hit the Doctor hard. But I got the impression that he could console himself in his loss with the fact that the Daleks had been completely destroyed in the Battle of Canary Wharf. It’s small consolation, but for someone who is still coping with his own survivor’s guilt, he’d take comfort wherever he could get it. But to see that these vile and despicable creatures - creatures that the Doctor blames for all his losses - continue to survive when he has to lose everything totally breaks your heart.

3 - The Cult of Skaro. Even while the Doctor is reeling with the idea of Daleks surviving, in spite of all his efforts - it doesn’t actually mean that the Daleks are thriving. It’s kind of become a standing joke that even when the Daleks and their home planet are obliterated, there are always hoards of them still waiting in some hidden corner of the universe. But this is not so in “Daleks in Manhattan.” There are a grand total of four Daleks still in existence. Four Daleks that comprise the Cult of Skaro - a secret faction established when the Daleks (for all their insistence that the Dalek way of life is best and that anything that isn’t founded on Dalek principle is inferior and must be destroyed) realize that there might be something to these emotions that they have long since eradicated from their race. They even admit that they are impressed by humanity - a comparably young civilization that can still build great cities and continue to survive and thrive, even in the depths of poverty and despair (don’t know if that’s why Helen Raynor chose to set this story in the midst of the Great Depression, but it doesn’t hurt the context). And if the Daleks are doing anything right now, it is most certainly NOT surviving. The Cult of Skaro’s mission is to think the way their enemies think and find ways to use that thinking to benefit the Daleks in any way they can.

What’s their first problem? There are only four Daleks. They don’t have the means to create more. What usable resource is in greatest abundance at the present moment? Humans. Humans can think and strategize and create - and a fair number of them have worldviews and opinions that can be molded around to the Dalek way of thinking. So, why not genetically modify humans and Daleks to create a new race and a new homeworld for the Daleks? If you’re from a race and culture where creativity is all but unknown and you’re suddenly ordered to be creative, what else are you going to do?

(Granted, their cosmetics job on the finished product could use a little work, but Daleks are all about utility - looks don’t mean a thing to them. So, of course the final result is going to look a little... odd).

(And while we’re talking about cosmetics - how are pig slaves any weirder than those Robomen slaves with their proto-orthodontic headgear in “The Dalek Invasion of Earth”? It’s a thing, it happened, deal with it).

4 - The Doctor agreeing to work with Dalek Sec. Underneath all the PTSD and Survivor’s Guilt is the same old Doctor who sees the beauty in so many strange and wondrous things - even when those strange things are trying to kill him. He’s still the same Doctor who, when he had the chance to touch two wires together and destroy the Daleks before they even got started, hesitated and chose not to go through with it. And when he meets Dalek Sec and they get talking and he realizes that the human-Dalek hybrid isn’t as evil and mean as a pure Dalek - well, maybe there really is some hope for the old maniacal pepper pots. Maybe he doesn’t have to destroy the Daleks to defeat them - maybe all he really has to do is change them. That would get rid of the Dalek threat just as well, wouldn’t it? The Doctor hates killing and destruction, even when it becomes necessary. I think that’s what I love about the Doctor the most. People talk about how he’s a pacifist and all that jazz - which is definitely is, in theory at least. In practice... not so much and not all the time. But for once, he sees an opportunity to help the Daleks become better and he takes it. He comes to regret it later (and maybe we’re all wondering how bone-dead stupid do you have to be to trust a Dalek), but for a few glorious moments - the Daleks were redeemable. And if it wasn’t for those other three subversive little dopes whispering amongst themselves in sewers and plotting against their boss - it probably would have worked.

5 - Martha Jones is a gem of a companion and she gets some fantastic moments here. She’s the first one to discover what time period they’re in. She spots pig!Laszlo and follows him, thereby gaining a key ally in this whole affair. She’s the one who realizes where the Dalekanium is on the Empire State Building - AND that it’s still up there after the solar flare hits the tower (by the way - in defense of the Daleks’ base of operations in the Empire State Building - if you’re going to take over an entire planet, why not do it with a little style?) And there are those little moments when the Doctor is yelling for the Daleks to just kill him that Martha gets this look on her face like “Um, if you die, how am I supposed to get home?” She also forges a great bond with Tallulah and Laszlo and just takes charge, almost by default. That’s the kind of character she was set up to be in “Smith and Jones” and I love that she is just this natural leader-type. While she’s not yet a doctor in Series 3, I contend that she deserves entrance into the Dr. Liz Shaw Chapter of Awesome Female Scientist Companions (and I completely adore Freema Agyeman as a person, so there's that as well).

6 - I stinkin’ love Tallulah. And Laszlo. But Tallulah most of all. She’s just a fun character to watch. Yes, she’s portrayed as a little ditzy, but she’s got depth to her - when she says she’s glad to have a job in the horrible economy and she doesn’t want to end up out in Hooverville and when she’s worried for Laszlo - that he hasn’t been seen or heard from, but there’s still a white rose on her dressing table every night before she performs. Tallulah is a fantastic connection to this time period and helps ground the story in reality (such as reality ever is in Doctor Who) and every story needs those kinds of characters. The other characters from Hooverville and elsewhere do a good job of that as well, but I think Tallulah is my favorite out of all of them.

7 - Last the best of all the game: David Tennant. Dear Sweet Scorby, David Tennant acts his socks off in this one.  I've picked out certain moments where I think this story really shines, and most of that is due in no small part to how David Tennant acts the part of the Doctor.  You see this throughout his tenure (and you see it in his other roles as well - Broadchurch, oh my poor poor heart...) - he can go from "happy Tigger goofball" to "grimly, grim, and dark," but never in a way that's over the top or corny.  He makes that part of his Doctor and a huge part of why Ten still has so many fans (and it has very little to do with that tight little bottom of his - that's just an added bonus).  In fact, Ten was my Doctor for the longest time.  At least, until Five came in and stole his thunder (I guess they can argue that over family dinners or something), but I still love him to pieces.  It's difficult for me to point out specifics because everything about Ten just works so well and it's all interconnected.  I guess I can describe it this way: David Tennant's Doctor is like Tom Baker's Doctor - he was the right fit for the right role at the right time.  In many ways, he cemented the Doctor back into British consciousness and led the way for Matt Smith's era to become a global phenomenon (even though I hate that word).  If the revival Doctor Who hadn't worked at homebase, there's no way it would have caught on the way it has all around the world.

I don’t expect that my “List of Reasons Why ‘Daleks in Manhattan’ is Better Than You Think It Is” will change very many minds. Hell, all the little holes that people have poked in it haven’t changed my mind in the slightest. But I do hope that this gives people something to think about and a few things to consider. And just remember - one fan’s pig-slave is another fan’s tale of lost redemption.

***
For another person’s take on Dalek Caan specifically (but as it applies to the business at hand, I’m linking to it) click here: Why I Like Dalek Caan (BTW - Their explanation of the pig slaves is as good as any).

***
My subject line comes from the special Doctor Who episode of Never Mind the Buzzcocks where David Tennant is hosting and he's telling some trivia about some-band-or-another that I guess isn't that popular, but he quickly dismisses the haters by saying "Nope, I like this one too. Get over it."  It's a quick, funny, throwaway line, but it works for so many things (and the rest of the show is pretty good - Catherine Tate and Bernard Cribbins are in it too). You can watch the whole episode here.

***
Next Time, on Librarian in the TARDIS -
Review 10.2 - And you thought your landlords were horrible...

Previously -
Review 9.03 - The Odd Couple

Wednesday, April 18, 2012

Happy Birthday David Tennant!

Today's the day for banana daquiris and 3D glasses as we all give a rousing Happy Birthday to everyone's favorite skinny boy in a suit - David Tennant!



(Seriously - I hope I look that good at 41 ^_^)